opportunity and art

This post is written by Lexi Earl about her recent visit to Archbishop Tenison School in London.

On our recent visit to Archbishop Tenison, Becky and I had a conversation with the Y13 art students. It was clear that they were taking advantage of the various opportunities they had been offered that connected them to art organisations and experiences outside of school – some were involved in Tate Collective, others in the October Gallery Youth Collective, and some had done work experience at Universal Studios. They supported each other’s efforts by attending events and going to exhibitions together, forming and creating their own art community.

october-gallery

By contrast, the Y10s were not yet involved in the arts community around them. In conversation I asked them whether they visited museums or galleries, either by themselves or with their families. They said no. They went on to say that it was likely that the only way they would visit such places would be on a school trip. This was interesting because ATS is a school in central London. The Tate is within walking distance. But these young people do not necessarily feel that they can access such places on their own.

Opportunities to become part of the art community, to participate in it, and to take up work experience do not happen by osmosis. The engagement of the Y13s in comparison to the Y10s is part of the work of Hannah King, their art teacher, and is an example of the role teachers play in connecting their students to wider opportunities and experiences within the arts and cultural organisations, either on their doorstep or more broadly in their communities.

Hannah explained the process through which she connects the students to opportunities they might not otherwise be able to access. She runs through her own personal contacts – friends and acquaintances working in a variety of industries that might be of interest to her students. She checks what opportunities might be possible with the organisations and businesses where she has contacts, looking at what is doable and realistic. She takes these opportunities to the Head of Sixth Form, to check whether the school can support the students to take advantage of an opportunity. Finally, she offers the various opportunities to the sixth form students – not only the art students, but anyone who might be interested. For example, students who are interested in the business side of arts organisations can also take advantage of these opportunities.

tate-collective

Hannah knows her students interests and future ideas, and is therefore able to tailor opportunities for them that will help them in the long run. As Hannah told us, it is not just the opportunity to gain work experience somewhere like Universal Studios, Apple, or Ministry of Sound. Having to put together a CV, and write a cover letter gives students practical life skills. This then supports their potential UCAS letters, and ultimately helps students once they start “thinking about how you apply for jobs”.

Teachers like Hannah King play an incredibly important role in connecting young people to the arts, widening the opportunities they may have, and exposing them to new ideas and people that they might otherwise miss.

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